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Waiting for Godot

from KuartetS by Kristian Sensini

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about

The song was born from a musical idea, I wanted to experiment up to what extreme I could bring a ostinato, a simple C of the value of a quarter, repeated throughout the song. The piece was born as a composition for piano, around this central C unravels the harmony of the piece and then all the melody, depending on the bass staged, this ostinato always takes on a different value, it changes sense, atmosphere, and yet it remains there in its slow march, like the hand of a clock that beats the same second bending the time on itself. Hence the idea of the title of the piece, the expectation of something, of someone, that perhaps will never come. In the transposition of the piece for string quartet the experiment has been amplified, the note, in pizzicato, is played by the various instruments of the quartet, which sometimes take turns in proposing it, sometimes (it is clearly perceptible) they overlap in playing it by accumulation. The C is always the same (always in the same octave) but clearly assumes different connotations depending on whether it is played by the violin, viola or cello. As it starts, the track ends with the C sequence that suddenly dissolves into silence, symbolically I wanted to leave this track as the last track of the album, to leave the record (and the listener) as outstanding.

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from KuartetS, released June 4, 2020

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Kristian Sensini Italy

Award winning composer, Piano and Flute player with Classical and Jazz Background studies and international credits for Movies an Tv Series

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